217 Royalty-Free Audio Tracks for "Electronic Waves"

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Electronical voice explains the third floor in an elevator. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, third floor. Lat: 53. 2289669512174lon: 10. 400179624557495. Date: 2013-11-12, 12:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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01:26
Sounds generated by assigning the "wave out" or "line out" signal of the soundcard to a track in fl, and turnin it up. This acts as a digital delay effect with infinite feedback and a very high cycle rate. Basically the noise (similar to pink noise) is produced by the soundcard and the resonance is produced by the low pass filter and the convolution reverb mapping of the waldassen cathedral.
Author: Sim
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04:06
Zlob diode chaos - selection from an hour long recording, 54min and 45sec in. The chaotic lfo has 4 outputs x, y, z and trig (trig-ich. . . ). Center sound: x to pitch cv in on vco, y to filter cut of. To the right: z to a wave folder (osc static pitch). To the left: trig to cv in on a self oscillating filter. There are peaks (hz) beyond my hearing. I hope you can manage. . .
Author: Gis Sweden
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Electronical voice explains the main floor in an elevator. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, main floor. Lat: 53. 22896695121758lon: 10. 400190353393555. Date: 2013-11-12, 12:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).
Author: Cabled Mess
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02:57
A lot of texture! yeah! even analog modular synths can create texture. . . Well not much of a surprise but i'm getting somewhere. . . !. Have to note what i have done. 1. Modulating a full wave rectifier at audio rate. Fixed modulating frequency. 2. I mix my the output of my two osc and clockmy clock divider with that and take /2 to mixer. Reverb is space hole on my zoom ms-70cdr.
Author: Gis Sweden
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01:35
This sound was created by mistake and i thought it sound perfectly like a bad transmission from radio or spacestation. I´ve cut the audiofile so it is loopable. And as always if you like this sound, feel free to use it for your production. Just give me credit. For individual sounddesign just hit me up. Cheersxdimebagx.
Author: Julius Galla
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Electronical voice explains the fourth floor in an elevator. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7, fourth floor. Lat: 53. 228934838796086lon: 10. 400152802467346. Date: 2013-11-12, 12:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".
Author: Soundscape Leuphana
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04:57
Using a variety of 1980s radios connected via a headphone output to the computer, i tuned in - across the entire bandwidth - of the mw and lw channels. I also captured the static hiss of those bands, 'dead air'. There are small clips of various stations along the way but i was looking for that 'tuning in' sound that was so familiar when radio was the central part of every teenager's life.
Author: Vedas
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